Making its debut on Starz this weekend was this winter’s surprise smash hit, “The Vow”.
Starring Channing Tatum and Rachel McAdams, “The Vow”‘s strategic Valentine’s weekend release helped it open at number one and stay strong on the chart, remaining in the top ten for six weeks and grossing just under $200 million worldwide.
It’s the story of a woman who loses her memory in a car accident, and as a result, forgets the entire period of time when she knew her husband. He’s a complete stranger to her. As a result, he has to fight to regain her affection all over again.
The question that easily presents itself is: Is “The Vow” memorable, or is it best forgotten?
Woody Allen’s “Midnight in Paris” made its debut on Starz this past weekend.
Last year’s Academy Award winner for Best Original Screenplay, “Midnight in Paris” stars Owen Wilson as Gil Pender, a man who idealizes the Paris of the 1920s. Disenchanted with his career as a Hollywood hack, disrespected by his fiancée and lightly regarded by his future in-laws, Gil wishes he had lived amongst the great literary, artistic and culturally important figures of that time.
Little does he know… something extraordinary is in store for him.
Following up on their hit movie from 2009, Robert Downey Jr., Jude Law, Rachel McAdams and director Guy Ritchie reteam to bring us “Sherlock Holmes: A Game of Shadows”. This time around, they’re joined by Noomi Rapace (of “The Girl With the Dragon Tattoo” fame) as a fortune-teller who gets entangled in the goings on, and Jared Harris (of “Mad Men”) as the infamous Holmes villain, Professor Moriarty.
Fans of the first one will certainly enjoy this, while those who weren’t as thrilled with the first offering probably will find their gripes represented here as well. Which is not exactly to say this movie is more of the same – Harris as Moriarty is an excellent addition to the franchise.
Yet regardless of how the new elements factor in, the crux of the issue – to me – remains the same. Your enjoyment of these films will be directly correlated to your tolerance of the directorial stylings of director Guy Ritchie.
Welcome back to “Chick Flick City”, the series where I address estrogen deficiencies in my personal filmography by watching movies recommended by YOU, the readers. Up this week, the rain soaked “The Notebook”.
Because I’ll tell ya, that image above is the overwhelming impression of this movie for me. I’ve never seen this flick, but I’ve seen that kiss 8,602 times. Posters, commercials, send-ups, etc… Why couldn’t they go inside? What, they’re at some lake or something? The phrase “get a room” comes to mind. Not because I want them to take it out of my sight, I… I want them to get dry.
Will I change my mind? Will I finally understand, or will I still wish they had brought an umbrella?