“Into the Night” is a film that I recommend for a somewhat narrow range of reasons. Although it is referred to as a comedy, action, thriller, it barely qualifies in each of those categories. Don’t get me wrong, there is a lot that is funny about the movie, and there is some action and tension along the way, and what could be more thrilling than seeing Michelle Pfeiffer at the peak of her beauty and charm? The real reason to see this movie however is the tour of Southern California culture from the 1980s that you get along the way. It is a very loose film with some nice sequences and dialogue but as a film it seems to lurch forward and wander around the story at times, but oh what interesting times.
We are taking a slightly different journey this week with MIWETS (Yeah, not a great acronym). I would not really say the films I am going to focus on are guilty pleasures but many film fans might turn their noses up at such crassly commercial projects. One film exploits a TV show comic book legacy and the other one comes from one of the most resented genres among movie fans, the romantic comedy. I think each film actually has some merits that could be discussed in a passionate way because I have seen some hate for these films online. Neither film is essential, seminal or serious in any way. The two movies have one thing in common that moved me to pair them like this. Each one is a version of a nearly extinct form of film making, the original film musical.
In the world of Science Fiction, most readers of novels, viewers of television and movies will always remember a strong ending to a story. The “Twilight Zone” was famous for the twist sucker punch finale of most of the episodes. In the popular culture, when an image or a quote becomes a meme understood by all, it is clear that the work has tapped into something important to the times, politics or people. Charlton Heston is the star of many a movie meme. Moses standing at the Red Sea parting the waves, Ben Hur, either chained to the oars of the Roman Battle cruiser or with rein in hand on a Chariot. His most famous image however is as a dismayed misanthrope pounding sand on a beach in front of the ruins of one of the most recognizable symbols in the world at the end of “Planet of the Apes”. Heston has at least one other great moment of Science Fiction history in his vita, the denouncement at the end of the movie “Soylent Green”. It is another moment parodied and understood by masses of people, most of whom have never seen the movie. I don’t want his refrain to be the only thing people know about the film so this week “Soylent Green” is the movie I want everyone to see.
This summer has been a cruel one for fans of “Get Shorty”. In June, James Gandolfini who played Bear the enforcer for Bo the Drug Dealer/wanna be movie producer, passed away at a relatively young 51. Last month, Dennis Farina who played Ray “Bones” Barboni left us at 69. This last week, Elmore Leonard the novelist and screenwriter responsible for the story and characters in the first place, left us at age 87. I’m not suggesting there is a curse or anything, but if this film does not get included before anyone else from the cast dies, I will feel terrible. “Get Shorty” is a star vehicle, and it featured John Travolta in a great part immediately after his comeback role in “Pulp Fiction”. In spite of the obvious star driven nature of the film, there is a great ensemble cast that adds to the quality of the movie and makes it something I think everyone will be glad to have seen.
Kids of my generation all had the same heroes, astronauts. We watched the launches and splash downs on television both at home and at school. Everyone knew who John Glenn was and the Moon landing in July of 1969 seemed like the greatest day in history. A lot of kids followed test pilots and experimental aircraft like they were ball players with statistics. By the time the Vietnam War was finally run out, and Watergate had drained us of much of the respect we had for our government, the space program had shriveled in size and Skylab had tumbled back to Earth. Astronauts had become at best technicians in the sky and often faceless. In 1979, Tom Wolfe published “The Right Stuff” which reminded us all of what it took to be an American Hero in the Space Race. The rights to the book were snapped up and plans for the movie began. Four years later emerged a film that would be called by many one of the finest films of the decade. It is not a forgotten film, but in many ways it is a neglected film. Readers on a site like this might know the movie intimately, but casual movie audiences are often unfamiliar with movies that lack a cult following or came out before they were born. Let’s see if we can work on that.
To a large degree this could properly go into the category, “Movies That I Want Everyone to Hear”, because much of the joy in this film derives from the fantastic soundtrack and fresh delivery of the titular band that is the focus of this movie. All the way back to the 1930s, kids were getting together musical acts and putting on a show as the plot of a movie. “The Commitments “shares a lot in common with Mickey and Judy, as long as you ignore the sex, poverty, drug use and the 145 times in 113 minutes that the F-bomb gets dropped.
All you film fans out there who were born after 1970 are about to eat your hearts out. You may know that the 70s were the second golden age of Hollywood, after all that’s when “Star Wars”, “The Godfather”, and “Alien” all started. You may even be aware that the greatest adventure film ever made, “Jaws”, was released in the Summer of 1975. It would be a solid argument to make that 1975 was the apex of Hollywood film making in that decade. Here is a partial list of the movies released that year: “One Flew Over the Cuckoo’s Nest, Dog Day Afternoon, Barry Lyndon, Monty Python and the Holy Grail, Rollerball, Three Days of the Condor, Shampoo, Nashville, Seven Beauties, Cousin cousine,The Passenger as well as the aforementioned fish story. ” That is a list of essential films for anyone who loves movies to partake of. Buried in the avalanche of great films from that year, is the one film that stars Michael Caine and Sean Connery together as the leading men (each had a small part in “A Bridge Too Far”) and as a bonus it was directed by John Huston.
Hollywood in the Golden Age, Nazi Commandos, Gangsters, Young Love, Air Speed Races, Howard Hughes, is there anything that is not found in this Walt Disney Picture from more than twenty years ago? I can’t think of anything they could have added to make this movie better. The story is a clever adventure which mixes real world events with science fiction elements and puts it in the backdrop of one of the most romantic times and places in film history. “The Rocketeer” was a modest success and not a break out hit that would justify a sequel. The movie harkens back to the serial adventures of the 1940s but is based on a racy 1982 graphic novel/comic, which has enjoyed greater literary success than it’s cinematic cousin. There are some obvious changes made in adapting this to the big screen. The biggest change was altering the character of Jenny Blake. Instead of the somewhat seedy “party girl/stripper” she is in the comic, she becomes a more wholesome ingenue. She is an innocent young actress, trying to break into the movies by playing in the crowd scenes in the movies being manufactured at the Hollywood Dream Factories of the Golden Age.