Dazed and Confused Review
Richard Linklater pitched Dazed and Confused as an American Graffiti for the 1970s, and the comparison is useful mainly for […]
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Fight Club Review
David Fincher’s Fight Club is routinely misread on both sides of the culture war it has been drafted into, praised
Eternal Sunshine of the Spotless Mind Review
Eternal Sunshine of the Spotless Mind takes its title from Alexander Pope’s poem about a nun’s untroubled peace of mind,
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Alien Review
Ridley Scott’s Alien is filed, reasonably enough, as science fiction, and AFI counts it among the ten best of the
Role Models (2008) Review
Role Models arrived in 2008 into a comedy landscape thoroughly dominated by the Judd Apatow house style, and it is
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The Big Lebowski Review
The received wisdom about The Big Lebowski is that it is a shapeless, stoned hangout comedy that happened to accumulate
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The Wizard of Oz Review
The strange fact about The Wizard of Oz is that almost nobody remembers it as a movie about being afraid.
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Blade Runner Review
Ridley Scott’s Blade Runner is usually discussed as a landmark of production design, and the reputation is deserved, but treating
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Annie Hall Review
Woody Allen’s Annie Hall is frequently credited with reinventing the romantic comedy, and the credit is deserved, but it is
Dead of Night (1945) Review
Long before anthology horror became a reliable subgenre, complete with its own conventions and diminishing returns, Dead of Night established
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